David Volfovich Chudnovsky[a] (born January 22, 1947) and Gregory Volfovich Chudnovsky[b] (born April 17, 1952) are American mathematicians and engineers known for their world-record mathematical calculations and developing the Chudnovsky algorithm used to calculate the digits of π with extreme precision. Both were born in Kiev, Ukrainian SSR, Soviet Union (now Kyiv, Ukraine).
A 1992 article in The New Yorker quoted the opinion of several mathematicians that Gregory Chudnovsky was one of the world's best living mathematicians. David Chudnovsky works closely with and assists his brother Gregory.[5]
Despite their accomplishments and the attention brought to them by their profile in The New Yorker, the Chudnovsky brothers largely worked alone for decades. A 1997 Karen Arenson article in The New York Times theorized that this was due to some combination of the brothers' lack of a specialization (they worked on topics including number theory, applied physics and computers), Gregory's medical condition, their refusal to leave New York City and their insistence on being hired together. In the summer of 1997, they were hired as professors at Polytechnic University in Brooklyn after borough presidentHoward Golden helped find funding for their salaries.[6]
The Chudnovsky brothers have held records, at different times, for computing π to the largest number of places, including two billion digits in the early 1990s on a supercomputer they built (dubbed "m-zero") in their apartment in Manhattan. In 1987, the Chudnovsky brothers developed the algorithm (now called the Chudnovsky algorithm) that they used to break several π computation records. Today, this algorithm is used by Mathematica to calculate π, and has continued to be used by others who have achieved world recordsin pi calculation.
The brothers also assisted the Metropolitan Museum of Art around 2003 in the merging of a series of digital photographs taken of The Hunt of the Unicorn tapestries during their cleaning.[7]PBS aired a program on its science show Nova, hosted by Robert Krulwich, that described the difficulties in photographing the tapestries and the math used to fix them.[8]