Carly Findlay (born 1981) is an Australian writer, speaker, and online influencer. Findlay describes herself as an 'appearance activist', and has been outspoken on a number of disability-related issues.[1][2][3] She has been particularly vocal on the right to privacy of children with a disability as well as the importance of representation and inclusion of disabled people both in general life, and particularly in fashion.[4] Findlay makes use of social media to document her love of fashion, food, as well as the treatment and ableism she faces because she has ichthyosis, a genetic disorder that affects her skin and hair.[5] She has built a business and personal brand around being disabled.[6]
Findlay attended Murray High School in Albury and, during her final year, started working at a local Kmart department store.[10][14] Findlay recalls feeling more comfortable with hospital staff than her fellow students.[14][11]
From February 2003 to November 2017, Findlay was employed by the Australian Tax Department[17] and from September 2016 to May 2017, held the position of Communication Coordinator for People with Disability Australia Inc.[16][self-published source?]
In 2012 and 2013, Findlay had three encounters with taxi drivers which led her to make a complaint to the Victorian Taxi Commission and the Australian Human Rights Commission.[18][19][20][self-published source?] The drivers in questions refused to transport Findlay, making comments on her appearance, alleged intoxication, and smell, and claiming she would damage their vehicle.[19][18]
After the third incident, Findlay lodged a complaint with the taxi company as did the hotel concierge who booked the taxi for her.[18][19] When no action was taken, she complained to the Victorian Taxi Commission and the Australian Human Rights Commission.[20]
Findlay has made a number of media appearances that placed her in the spotlight. In 2017 Findlay appeared on the ABC television series You Can't Ask That and Cyber Hate with Tara Moss, and in 2018 she appeared on Channel Ten's The Project in response to an interview with Jon Faine on ABC Radio.[24][25][self-published source?] On 28 March 2018, Findlay had appeared on ABC Radio's morning show to discuss microaggressions and disability.[26] During the interview, the host Jon Faine described Findlay as looking like a “burns victim” and having a face that wouldn't “be good at Halloween”, before asking about her sex life.[26][27][28]
Faine's line of questioning has been described by commentators and the public as “offensive”, “disrespectful” and “inappropriate”, while they described Findlay's reaction as “composed” and “polite”.[26][27][28] Faine later apologised.[26] The incident was later cited by former ABC boss Michelle Guthrie as causative to her being sacked by the ABC Board.[29] Guthrie appealed the decision to fire her and reached an out of court settlement with the ABC.[1]
Findlay attributes most of her success to her appearance on You Can't Ask That.[25]
In 2018, Findlay started promoting her upcoming book at a number of writers festivals across Australia, including the Feminist Writers Festival, Bendigo Writers Festival and at five events during the Melbourne Writers Festival, including a spoken word performance as part of the Quippings: Disability unleashed theatre group.[30][31]
Findlay is currently employed in the role of Access and Inclusion Coordinator for the Melbourne Fringe Festival one day a week as well as providing customised disability awareness, social media and blogging training to organisations.[32][3] She co-hosts a podcast called Refreshments Provided with Jason Scott Watkins.
Access to Fashion
As a self-proclaimed fashion lover, Findlay was unhappy with the lack of representation people with disabilities have in the media and fashion landscape.[33] Propelled by her own experience of exclusion and elitism in fashion, in July 2018 she announced the first-ever disability-inclusive event to be held as part of Melbourne Fashion Week which was staged away from the main event.[34][35][36]
"We're not treated the same when we go into stores. For me, I am sometimes not even spoken to. They think I am not going to want their clothes or their service, or they might be embarrassed to be seen with me,” Findlay said.[36]
'Access to Fashion - Disability on the Runway: an Exploration of Disability Inclusion in the Fashion Industry' was held on 1 September 2018, and included a panel discussion as well as a runway show.[33][37] It featured a number of models and fashion designers with disabilities.[33][37]
Writing
Findlay was a writer from a young age, and started her self-titled blog in 2009.[38][5] Findlay's blog details significant events in her life, her experience of life with ichthyosis, and her commentary as an appearance activist.
Findlay has written for a variety of online and traditional media, including the ABC, SBS, Sydney Morning Herald, The Guardian, The Age, Essential Baby, Kidspot, Ravishly, Frankie Magazine, and Mamamia. After a journalist dubbed Findlay an appearance activist, she claimed the title and has since written on a range of topics related to appearance diversity and disabilities in general.[1][2][38] Her writing also appears in anthologies - Growing Up African in Australia (edited by Maxine Beneba Clarke), Women of a Certain Rage, and Me Too - Stories from the Australian Movement; as well as in Bec Sparrow's Ask Me Anything and Tara Moss' Speaking Out. She was also included in 200 women who will change the way you will see the world.[39]
Representation
A common theme of Findlay's work is the importance of representation of people of diverse appearance in the media, fashion, and general life.[25][40] She takes “back the [ableist] gaze through social media”[41][self-published source?][42] and her blog, using them as a platform to promote her brand, her love of fashion, ableism and the treatment and pain she experiences in association with her condition.[23]
Part of Findlay's push for representation is the need for disabled people to control how their stories are told, stopping disability being a tragedy or a burden to be overcome, and a push against so-called inspiration porn, a term coined by the late Stella Young.[20][41][self-published source?][42]
“In fairy tales, the characters who look different are often cast as the villain or monsters. It's only when they shed their unconventional skin that they are seen as 'good' or less frightening. There are very few stories where the character that looks different is the hero of the story ... I've been the hero of my story - telling it on my own terms, proud about my facial difference and disability, not wanting a cure for my rare, severe and sometimes confronting skin condition, and knowing that I am beautiful even though I don't have beauty privilege.”[21]
Privacy
The right to privacy for both children and adults with disability is an important facet of Findlay's writing.[43][self-published source?] Findlay has said she is grateful to her parents for not sharing her story without her consent and has taken issue with individual parents and parenting groups who have “overshared” their children's stories.[43][self-published source?] She explored this topic in one of her performances at the 2018 Melbourne Writers Festival.[31]
Identity
For Findlay, disability is a more central aspect of her identity than her racial background and she embraces the term 'disabled person' rather than 'person with a disability'.[8][1]
“Often when I write about disability and use the term 'disabled', people (strangers) correct me. They do so as they see disability as a bad thing ... Many disabled people see disability as part of our identity - just like race, sexuality, religion, gender etc. and that's ok. And many disabled people don't, and that's ok too. We can choose how to identify. And 'disabled' and 'disability' are not bad words.”[5]
Findlay says that she did not identify as having a disability until her mid-twenties, but doing so has given her a platform on which to build her brand, a sense of confidence and a community.[30][1]
“Giving myself the labels of 'disabled' and 'chronically ill' has been very empowering. I feel great sense of belonging – and that's as big a relief as a diagnosis is. It's given me pride. I am proud to belong to an amazing, talented, diverse, passionate community that's committed to selflessly improving the lives of others.”[citation needed]
Say Hello
After receiving five publication offers, on 3 July 2017, Findlay signed a book deal with Harper Collins. 'Say Hello' was launched in January 2019.[21]
Findlay wrote that “Say Hello will be the book I needed to read when I was younger. I didn't have any role models with my condition until I searched the internet in my teens. There were no memoirs on ichthyosis – only medical textbooks with people's faces blacked out.”[22]
The book is expected to be a memoir of Findlay's life experience as a woman with ichthyosis as well as her journey to identifying as a disabled person and the struggles and confusion she experienced before reaching that point.[21][22][30][38] Findlay hopes the book helps those who also have ichthyosis, their parents, young women and teachers.[38][30]
“There was no one in media or books who looked like me, or to tell me it's ok to not want to change my appearance, and I didn't know whether I'd find love – love with another or love for myself. It's time to write that book. To be the person Little Carly needed.”[22]
Growing Up Disabled in Australia
Findlay edited Growing Up Disabled in Australia - part of Black Inc Books' 'Growing Up...' anthology series. It was released on 2 February 2021. Growing Up Disabled in Australia is the fifth book in the highly acclaimed, bestselling Growing Up series. It includes interviews with prominent Australians such as Senator Jordon Steele-John and Paralympian Isis Holt, poetry and graphic art, as well as more than 40 original pieces by writers with a disability or chronic illness.
2019 shortlisted in The Horne PrizeArchived 10 March 2020 at the Wayback Machine for her essay titled In Sickness and In Health - on the social cost of health and migration policies that are fuelling deportations. The Horne Prize is run by The Saturday Paper and Aesop Foundation
^Hobday, Ruth (October 2017). 200 women : who will change the way you see the world. Blackwell, Geoff. Richmond, Vic. ISBN9781760408183. OCLC990141752.{{cite book}}: CS1 maint: location missing publisher (link)
