A Denmark, Poland and France co-production film, it was released in Denmark cinemas on 23 March 2023.[5]
Content
The film follows the journey of Apolonia Sokol, a gifted artist who was born in a Parisian underground theater and raised in a vibrant French artistic scene with a group of bohemians and hippies in the 1990s. She got into the Beaux-Arts de Paris when she was 21. Lea Glob, a Danish filmmaker, met her in France in 2009 and was intrigued by her adventurous life. Lea kept filming Apolonia over the years, as Apolonia tried to carve out her space in the art world and dealt with the challenges and pleasures of being a woman, relating to others, accepting her body and expressing her creativity. After thirteen years, the two women still share their insights on each other's lives in this documentary film about art, love, motherhood, sexuality, representation and how to thrive as a woman in a world ruled by patriarchy, capitalism and war without losing your identity.
In January 2024, the North American rights of the film were acquired by Grasshopper Film and Documentary+. The film was released in DCTV’s Firehouse Cinema in New York, and launched on streaming platform DOCUMENTARY+ on January 12, 2024.[14]
It will be released in French theaters on 27 March 2024.[15]
Reception
On the review aggregator Rotten Tomatoes website, the film has an approval rating of 88% based on 25 reviews with an average rating of 7.1/10.[16] On Metacritic, it has a weighted average score of 77 out of 100 based on 8 reviews, indicating "generally favorable reviews".[17]
Guy Lodge reviewing at IDFA (Competition), for Variety wrote, "Sokol’s paintings, slightly distorted large-scale portraits of human subjects in eerie states of repose, are striking, but never quite as intriguing as their restless, endlessly self-doubting creator."[18] Marta Bałaga's review in Cineuropa wrote, "Glob can’t take her eyes off this woman, whether she is celebrating, breaking down or cutting her own bangs, and the feeling is frankly contagious."[19] Lovia Gyarkye for Hollywood Reporter described the film as "A heartfelt reflection on a fitful artistic journey." Gyarkye closing the review wrote, "Apolonia is no longer just a subject but a confidant, and she pulled not only Glob but us, too, into her orbit."[20] Neil Young writing in Screen International felt that the film was "The absorbingly intimate portrait of an artist as a young woman over the transformative span of 13 years."[21]
