Allen Richard Toussaint (/ˈtuːsɑːnt/; January 14, 1938 – November 10, 2015) was an American musician, songwriter, arranger, and record producer. He was an influential figure in New Orleans rhythm and blues from the 1950s to the end of the century, described as "one of popular music's great backroom figures."[1] Many musicians recorded Toussaint's compositions. He was a producer for hundreds of recordings: the best known are "Right Place, Wrong Time", by longtime friend Dr. John, and "Lady Marmalade" by Labelle.
Biography
Early life and career
The youngest of three children, Toussaint was born in 1938 in New Orleans and grew up in a shotgun house in the Gert Town neighborhood, where his mother, Naomi Neville (whose name he later adopted pseudonymously for some of his works), welcomed and fed all manner of musicians as they practiced and recorded with her son. His father, Clarence, worked on the railway and played trumpet.[1][2] Allen Toussaint learned piano as a child and took informal music lessons from an elderly neighbor, Ernest Pinn.[3] In his teens he played in a band, the Flamingos, with the guitarist Snooks Eaglin,[4] before dropping out of school. A significant early influence on Toussaint was the syncopated "second-line" piano style of Professor Longhair.[2] Toussaint was raised Catholic.[5]
After a lucky break at age 17, in which he stood in for Huey "Piano" Smith at a performance with Earl King's band in Prichard, Alabama,[6] Toussaint was introduced to a group of local musicians led by Dave Bartholomew, who performed regularly at the Dew Drop Inn, a nightclub on Lasalle Street in Uptown New Orleans.[7] His first recording was in 1957 as a stand-in for Fats Domino on Domino's record "I Want You to Know", on which Toussaint played piano and Domino overdubbed his vocals.[3] His first success as a producer came in 1957 with Lee Allen's "Walking with Mr. Lee".[1] He began performing regularly in Bartholomew's band, and he recorded with Fats Domino, Smiley Lewis, Lee Allen and other leading New Orleans performers.[4]
After being spotted as a sideman by the A&R man Danny Kessler, he initially recorded for RCA Records as Al Tousan. In early 1958 he recorded an album of instrumentals, The Wild Sound of New Orleans, with a band including Alvin "Red" Tyler (baritone sax), either Nat Perrilliat or Lee Allen (tenor sax), either Justin Adams or Roy Montrell (guitar), Frank Fields (bass), and Charles "Hungry" Williams (drums).[8] The recordings included Toussaint and Tyler's composition "Java", which first charted for Floyd Cramer in 1962 and became a number 4 pop hit for Al Hirt (also on RCA) in 1964.[9] Toussaint recorded and co-wrote songs with Allen Orange in the early 1960s.[10]
Toussaint credited about twenty songs to his parents, Clarence and Naomi, sometimes using the pseudonym "Naomi Neville".[19][20] These include "Fortune Teller", first recorded by Benny Spellman in 1961, "Pain In My Heart," first a hit for Otis Redding in 1963, and "Work, Work, Work", recorded by The Artwoods in 1966. Alison Krauss and Robert Plant covered "Fortune Teller" on their 2007 album Raising Sand.[21]
Toussaint was drafted into the United States Army in 1963 but continued to record when on leave.[1] After his discharge in 1965, he joined forces with Marshall Sehorn[22] to form Sansu Enterprises, which included a record label, Sansu, variously known as Tou-Sea, Deesu, or Kansu, and recorded Lee Dorsey, Chris Kenner, Betty Harris, and others. Dorsey had hits with several of Toussaint's songs, including "Ride Your Pony" (1965), "Working in the Coal Mine" (1966), and "Holy Cow" (1966).[4][22] The core players of the rhythm section used on many of the Sansu recordings from the mid- to late 1960s, Art Neville and the Sounds, consisted of Art Neville on keyboards, Leo Nocentelli on guitar, George Porter Jr on bass, and Zigaboo Modeliste on drums. They later became known as The Meters.[23] Their backing can be heard in songs such as Dorsey's "Ride Your Pony" and "Working in the Coal Mine", sometimes augmented by horns, which were usually arranged by Toussaint.[24] The Toussaint-produced records of these years backed by the members of the Meters, with their increasing use of syncopation and electric instrumentation, built on the influences of Professor Longhair and others before them, but updated these strands, effectively paving the way for the development of a modern New Orleans funk sound.
[23][25]
Toussaint continued to produce The Meters when they began releasing records under their own name in 1969. As part of a process begun at Sansu and reaching fruition in the 1970s, he developed a funkier sound, writing and producing for a host of artists, such as Dr. John (backed by the Meters, on the 1973 album In the Right Place, which contained the hit "Right Place, Wrong Time") and an album by The Wild Tchoupitoulas, a New Orleans Mardi Gras Indians tribe led by "Big Chief Jolly" (George Landry) (backed by the Meters and several of his nephews, including Art and Cyril Neville of the Meters and their brothers Charles and Aaron, who later performed and recorded as The Neville Brothers).[26][27][28]
In 1973 Toussaint and Sehorn created the Sea-Saint recording studio in the Gentilly section of eastern New Orleans.[36][37] Toussaint began recording under his own name, contributing vocals as well as piano. His solo career peaked in the mid-1970s with the albums From a Whisper to a Scream and Southern Nights.[38][39] During this time he teamed with Labelle and produced their acclaimed 1975 album Nightbirds, which contained the number one hit "Lady Marmalade". The same year, Toussaint collaborated with Paul McCartney and Wings for their hit album Venus and Mars and played on the song "Rock Show". In 1973, his "Yes We Can Can" was covered by The Pointer Sisters for their self-titled debut album; released as a single, it became both a pop and R&B hit and served as the group's introduction to popular culture. Two years later, Glen Campbell covered Toussaint's "Southern Nights" and carried the song to number one on the pop, country, and adult contemporary charts.[40] Toussaint's song "I'll Take A Melody" figured permanently in the repertoire of the Jerry Garcia Band.
In 1987, he was the musical director of an off-Broadway show, Staggerlee, with a score composed of songs from his catalog, which ran for 150 performances.[3][41] Like many of his contemporaries, Toussaint found that interest in his compositions was rekindled when his work began to be sampled by hip hop artists in the 1980s and 1990s.[42][43]
2000s
Toussaint performing in Stockholm in 2009Toussaint with the Dalai Lama in 2013
Most of Toussaint's possessions, including his home and recording studio, Sea-Saint Studios, were lost during Hurricane Katrina in 2005.[44][45] He initially sought shelter at the Astor Crowne Plaza Hotel on Canal Street.[44] Following the hurricane, whose aftermath left most of the city flooded, he left New Orleans for Baton Rouge, Louisiana, and for several years settled in New York City.[44][45] His first television appearance after the hurricane was on the September 7, 2005, episode of the Late Show with David Letterman, sitting in with Paul Shaffer and his CBS Orchestra. Toussaint performed regularly at Joe's Pub in New York City through 2009.[46] He eventually returned to New Orleans and lived there for the rest of his life.[47]
In 2008, Toussaint's song "Sweet Touch of Love" was used in a deodorant commercial for the Axe (Lynx) brand. The commercial won a Gold Lion at the 2008 Cannes Lions International Advertising Festival. In February 2008, Toussaint appeared on Le Show, the Harry Shearer show broadcast on KCRW. He appeared in London in August 2008, where he performed at the Roundhouse.[53] In October 2008 he performed at Festival New Orleans at The O2 alongside acts such as Dr. John and Buckwheat Zydeco.[54] Sponsored by Quint Davis of the New Orleans Jazz & Heritage Festival and Philip Anschutz, the event was intended to promote New Orleans music and culture and to revive the once lucrative tourist trade that had been almost completely lost following the flooding that came with Hurricane Katrina.[54] After his second performance at the festival, Toussaint appeared alongside Louisiana Lieutenant Governor Mitch Landrieu.[55]
Toussaint performed instrumentals from his album The Bright Mississippi and many of his older songs for a taping of the PBS series Austin City Limits, which aired on January 9, 2015.[56][57] In December 2009, he was featured on Elvis Costello's Spectacle program on the Sundance Channel,[58] singing "A Certain Girl".[59] Toussaint appeared on Eric Clapton's 2010 album, Clapton, in two Fats Waller covers, "My Very Good Friend the Milkman" and "When Somebody Thinks You're Wonderful".[60]
His late-blooming career as a performer began when he accepted an offer to play a regular Sunday brunch session at an East Village pub. Interviewed in 2014 by The Guardian′s Richard Williams, Toussaint said, "I never thought of myself as a performer.... My comfort zone is behind the scenes." In 2013 he collaborated on a ballet with the choreographer Twyla Tharp.[1] Toussaint was a musical mentor to Swedish-born New Orleans songwriter and performer Theresa Andersson.[61] Toussaint's two marriages ended in divorce.[2]
Death
Toussaint died in the early hours of November 10, 2015, in Madrid, Spain, while on tour. Following a concert at the Teatro Lara on Calle Corredera Baja de San Pablo, he had a heart attack at his hotel and was pronounced dead on his arrival at the hospital.[62] He was 77. He had been due to perform a sold-out concert at the EFG London Jazz Festival at The Barbican on November 15 with his band and Theo Croker. He was also scheduled to play with Paul Simon at a benefit concert in New Orleans on December 8.[2] His final recording, American Tunes, titled after the Paul Simon song, which he sings on the album, was released by Nonesuch Records on June 10, 2016.[63]
He was survived by his three children, Clarence (better known as Reginald), Naomi, and Alison, and several grandchildren. His children had managed his career in his last years.[64][47]
Writing in The New York Times, Ben Sisario quoted Quint Davis, producer of the New Orleans Jazz and Heritage Festival: "In the pantheon of New Orleans music people, from Jelly Roll Morton to Mahalia Jackson to Fats—that's the place where Allen Toussaint is..." Paul Simon said, "We were friends and colleagues for almost 40 years.... We played together at the New Orleans jazz festival. We played the benefits for Katrina relief. We were about to perform together on December 8. I was just beginning to think about it; now I'll have to think about his memorial. I am so sad."[47]
The Daily Telegraph described Toussaint as "a master of New Orleans soul and R&B, and one of America's most successful songwriters and producers," adding that "self-effacing Toussaint played a crucial role in countless classic songs popularised by other artists." He had written so many songs, over more than five decades, that he admitted to forgetting quite a few.[2]
^Fensterstock, Alison. "On Top of the Charts: Allen Toussaint Is As Sharp and Prolific As Ever". Gambit Weekly (New Orleans), May 1, 2007, p. 23. Archives online at Bestofneworleans.com.
^"The Meters". Encyclopedia.com. Cengage Learning. 2004. Retrieved November 20, 2015.
^Stewart, Alexander (2000). "Funky Drummer: New Orleans, James Brown and the Rhythmic Transformation of American Popular Music." Popular Music, v. 19, no. 3 (Oct. 2000), p. 297, quoting Dr. John quoted describing Professor Longhair's influence on New Orleans funk.
^Chrispell, James. "In the Right Place". AllMusic. All Media Network, LLC. Retrieved November 21, 2015.
^"IAJE What's Going On". Jazz Education Journal. 37 (5). Manhattan, Kansas: International Association of Jazz Educators: 87. April 2005. ISSN1540-2886. ProQuest1370090.
^Make It Funky! (DVD). Culver City, California: Sony Pictures Home Entertainment. 2005. ISBN9781404991583. OCLC61207781. 11952.
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