Lima's oral tradition collects stories that furtive encounters between forbidden lovers took place in this place, where the girls of the time, accompanied on their walks by chaperones, brushed against their suitors without even looking at them. It is the cradle of well-known stories about secrets, mischievous smiles and the graceful walk of the coquetry of the famous tapadas limeñas in their eager and seductive walks of gentlemen in love. It is also a witness to romantic stories and memories, the most famous of which is the romance between Viceroy Amat and the Perricholi, who were the talk of the demure society ladies of the time.[citation needed]
It is also said that, at night, ghosts of widows, suicides, and people who died in the Spanish Inquisition or mysterious congregations of ghosts parade around the alameda.
According to the chroniclers of the Viceroyalty, its original design consisted of three streets: two lateral ones for carriages and a central one for pedestrians. There were three fountains, donated by citizen Agustín Hipólito de Landaburu [es], and eight rows of trees that offered walkers shade and coolness. The definitive remodeling that it underwent in the 19th century turned it into a romantic walk. In 1856, President Ramón Castilla gave it a new and definitive unitary outline by ordering the placement of a wrought iron fence imported from England, giving it the romanticist touch of the early 18th century.[citation needed]
It represents a young woman, she wears a crown of flowers on her head, she wears a long tunic and a long blanket, and in her right hand she holds a basket of flowers. Next to her, a scorpion climbs a trunk and at her feet appears the inscription 'F. Baini Fecit Rome 1855'
^Albardonedo Freire, Antonio José (2002). El urbanismo de Sevilla durante el reinado de Felipe II (in Spanish). Seville: Guadalquivir. pp. 191–208.
^Durán Montero, María Antonia (1984). "La Alameda de los Descalzos de Lima y su relación con las de Hércules de Sevilla y la del Prado de Valladolid". III Jornadas de Andalucía y América. Seville: La Rábida, Imprenta E.E.H.A.
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