Adam Wingard (/ˈwɪŋɡɑːrd/WING-gard;[1][2] born December 3, 1982) is an American filmmaker. He has served as a film director, producer, screenwriter, editor, cinematographer, actor, and composer on numerous American films.[3][4]
His first feature, the horror comedy Home Sick, starring Bill Moseley and Tiffany Shepis, was a stepping stone to his second feature, the psychotropic ghost story horror film Pop Skull. Made on a total budget of $2,000, Pop Skull had its international premiere at the Rome Film Festival and its domestic premiere at the AFI Film Festival in 2007. A Horrible Way to Die (2010) and What Fun We Were Having (2011) that followed.
The romantic horror film A Horrible Way to Die premiered at the 2010 Toronto International Film Festival in the Vanguard section and was acquired by Starz/Anchor Bay at the festival for a North American theatrical and home media release. What Fun We Were Having: 4 Stories About Date Rape is a 4-part anthology that had its premiere at the 2011 Fantastia Film Festival in Montreal, Canada where Wingard was honored by the festival with his own sidebar section: “Medicated Monsters – A Spotlight on Filmmaker Adam Wingard”.
In 2011, Wingard co-directed Autoerotic with the actor and filmmaker Joe Swanberg. He was selected to direct one chapter of The ABCs of Death, a 26-chapter horror comedy anthology for Drafthouse Films and Magnet. A solo directorial effort, You're Next, a home invasion slasher, premiered at the 2011 Toronto International Film Festival as part of the ‘Midnight Madness’ section.[5] The film was acquired by Lionsgate and received a wide release in August 2013 to favorable reviews.
In 2013, Wingard offered the project Peter Jackson, director of the 2005 remake of King Kong and he had been interested in producing a sequel to the film, titled Skull Island, with Wingard as director and Simon Barrett writing it. Jackson had been impressed with Wingard's work in You're Next, and investigated a potential sequel. However, Universal Pictures rights abandoned due to acquired film rights to Warner Bros, which complicated a sequel to a unproduced movie.[6] Wingard pivoted to offering a modern-day sequel, but ultimately nothing came of the proposal.[7]
In 2015, Wingard signed on to direct a live action American film adaptation of Tsugumi Ohba and Takeshi Obata's popular horror crime-thriller manga series Death Note.[10] The neo-noir dark fantasy horror-thriller was released on Netflix on August 25, 2017, to a mixed reception, with criticism aimed at the number of changes from the source material, rushed plot, shallow execution, writing and the pacing while praise was aimed at the visual style, direction, performances of the cast, soundtrack and the dark, macabre sense of humour, along with the attempted unique and distinctive take on the Death Note mythos. Despite the mixed response, the film was considered a sizable enough success for Netflix to develop a sequel in 2018 with Greg Russo writing the script.[11] No word has been made on whether Wingard is set to return as director.
In May 2017, Wingard was announced as the director for Godzilla vs. Kong, which was released in March 2021.[12] In February 2021, it was announced that Wingard would direct and co-write, with Simon Barrett, a sequel to Face/Off.[13] In March 2021, Wingard was announced as the director of ThunderCats, also co-writing it with Barrett.[14] In May 2021, it was announced that Wingard would direct an adaptation of the comic Hardcore by Robert Kirkman. Wingard will also write the screenplay with Will Simmons from a story by Kirkman.[15]
In April 2021, The Hollywood Reporter stated that Legendary was "quietly taking steps" to stretch the MonsterVerse into "one or more installments," while negotiating with Wingard to potentially return to direct. Various ideas were being considered, with Son of Kong being one potential title.[16] In May 2022, it was reported that Wingard would return to direct a sequel to Godzilla vs. Kong, entitled Godzilla x Kong: The New Empire.[17] Wingard is set to direct an action thriller film entitled Onslaught, which will begin filming in autumn 2024.[18]
